By Bruce Block
In case you can't make it to 1 of Bruce Block's mythical visible storytelling seminars, you then desire his e-book! Now in complete colour for the 1st time, this best-seller bargains a transparent view of the connection among the story/script constitution and the visible constitution of a movie, video, lively piece, or online game. You'll the best way to constitution your visuals as rigorously as a author buildings a narrative or a composer constructions tune. figuring out visible constitution lets you converse moods and feelings, and most significantly, finds the severe dating among tale constitution and visible structure.
The strategies during this e-book will profit writers, administrators, photographers, construction designers, paintings administrators, and editors who're regularly faced through an analogous visible difficulties that experience confronted each photograph maker long ago, current, and destiny.
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Additional resources for The Visual Story: Creating the Visual Structure of Film, TV and Digital Media (2nd Edition)
Ambiguous space uses any combination 55 of flat and deep space cues. Ambiguous space can be created using the following: Lack of movement. Sometimes objects must move before a viewer can understand the object and its surrounding space. Objects of unknown size or shape. The actual size relationship between objects can be purposefully manipulated to trick the viewer. Size relationships between unfamiliar objects can create confusion. Tonal and texture patterns (camouflage). Space can become impossible to define because the deep or flat space cues are disguised.
Usually, lighter objects appear closer and darker objects appear farther away. This is the gray scale. Even with two objects of identical size, a viewer will usually see the brighter object as closer and the darker object as farther away . Color Separation Colors can be used as a depth cue by classifying them into warm and cool groups. The warm colors are red, orange, and yellow, and the cool colors are blue and green. Chapter 6, “Color,” elaborates on this list and explains the complexities of color more fully.
A zoom-in also alters the focal length of the lens, changing it from a wider angle to a telephoto lens. As 46 Chapter 3 • Space the focal length of the lens increases, the depth of field decreases so areas of the frame will go out of focus. As any object blurs, it becomes flat. When zooming in, all objects, regardless of their distance from the camera, increase in size at exactly the same rate. Depth of field decreases, so more of the picture becomes out of focus. Out-of-focus objects, no matter what depth cues they contain, read as flat space.