By Gwyn Thomas
First released in 1947, The on my own to the on my own unites Gwyn Thomas' lyrical and philosophical flights of narrative in a satire whose savagery is barely relieved via irrepressible laughter. it really is Gwyn Thomas' such a lot formed paintings: the underlying that means of South Wales' background isn't really a lot documented as laid naked for common dissection and dissemination. the radical, with its distinct plural narration, is a choric statement on human phantasm and information, on energy and its attendant deprivation, on desires and their destruction. The on my own to the by myself is historical past as Carnival and, in Gwyn Thomas' distinct voice, a comic book imaginative and prescient of humanity that acknowledges no geographical limitations. This sporadic autobiography through the Welsh literary luminary presents a few high quality, lyrical jolly gloom and gloomy jollity alongside chosen highpoints of the existence journey.""-Kirkus studies
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Extra resources for The Alone to the Alone (Library of Wales)
He had waves in his hair, very deep fixed waves, that looked as if they had been fixed with a solution of syrup and granite. Rollo wore his peaked cap at a sharp angle, whenever he did not have it off to stroke and show off his waves, which was often. Rollo was one of fifteen who were still working in our Terrace which was the Terrace the Slump actually started out from in 1923, as the plaque we put up on the last house of the row will tell, and Rollo was the only one of that gallant fifteen who wore a peaked cap and could afford three suits and upwards of three hundred waves.
Rollo was one of fifteen who were still working in our Terrace which was the Terrace the Slump actually started out from in 1923, as the plaque we put up on the last house of the row will tell, and Rollo was the only one of that gallant fifteen who wore a peaked cap and could afford three suits and upwards of three hundred waves. This success went to Rollo’s head. He was made much of by his parents and relatives who regarded Rollo as a kind of Messiah or Golden Boy. They conversed less and less with their poorer neighbours after Rollo got his job on the buses and conversed more and more on the subject of Rollo.
They would either put him down as a uniformed serf, or, never using buses, would know of him not at all. But in the Terraces, where State-controlled poverty had such longstanding pillars as Morris, ourselves and the bulk of the other voters 16 whose living as miners had vanished long since through a crack in the floor of the Stock Exchange, the peaked cap, the thick serge suit and the various badges of the bus conductor made him an aristocrat – a king, or at least, a noble, subordinate in dignity and power only to the landlord or to the chap who, also in a peaked cap and a very strong suit of clothes, came poking about on behalf of the Water Board when that Board was worried about our taps and pipes.