On Murder, Mourning and Melancholia (Penguin Modern by Sigmund Freud

By Sigmund Freud

Those works have been written opposed to a history of warfare and racism. Freud sought the resources of clash within the inner most stories of humankind, discovering transparent continuities among our 'primitive' prior and 'civilized' modernity. In Totem and Taboo he explores associations of tribal existence, tracing analogies among the rites of hunter-gatherers and the obsessions of urban-dwellers, whereas Mourning and Melancholia sees a equally self-destructive savagery underlying person lifestyles within the smooth age, which concerns from time to time in self-harm and suicide. And Freud's amazing letter to Einstein, Why battle? - rejecting what he observed because the physicist's naïve pacifism - sums up his unsparing view of heritage in a couple of profoundly pessimistic, but grimly persuasive pages.

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In the NY hotel rm (they turn up again in Angst)—what good’s writing? ’’ Forgotten underlined three times, as if forgotten by three forgettings. To which add today the forgetting that followed upon these notes, interrupted for the time being by the finding of the ................. 16582$ $CH3 10-11-07 15:26:56 PS PAGE 35 post-it. Is this the fourth forgetting? How many forgettings does it take to forget, then to forget, then to forget about the forgetting? I remember the forgotten roses very well, backs straight him sprawled on the couch in room 91 them erect upright legs bunched together in the hotel vase saying we’ve been waiting for you red long-stemmed, showy, stout, vigorous roses, in the room I don’t see them as they are but for what they meant.

It was only many years later I noticed the Detail that gives us access to ‘‘The Metamorphosis’’ (‘‘Die Verwandlung’’) though it is perfectly obvious in the entryway where it vegetates and stinks, the eternal cadaver posted as a warning to the reader. But as it doesn’t call out or moan or squeak the avid visitor sweeps indifferently past the prophetic vignette and throws himself into the front room from which he doesn’t emerge alive. If only you’d read the warning Nothing wouldn’t have happened.

I wept. I should have taken out the lens. 27 the eye-patch ................. 16582$ $CH2 10-11-07 15:26:55 PS PAGE 27 * * * This whole story turns on an eye, now one of the eyes of one character, now one of the eyes of the other. This comment is totally extraneous to the story’s events. It belongs to the Tale. To the Tale, that is, version 2000. Before this date a thin sheet of soundproof glass slipped itself between the story’s events and the Tale. So long as I wore a contact lens (that is, one lens) I couldn’t tell.

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