La Serveuse du Café Cherrier by Yves Beauchemin

By Yves Beauchemin

Mélanie Gervais, une jeune Trifluvienne d’une beauté à faire damner un saint, quitte sa ville natale dès sa majorité pour s’établir à Montréal. Elle y fait l. a. connaissance de Pierrot Bernard, un aspirant romancier quinquagénaire dont les pursuits semblent sur le element de se concrétiser.

Malheureusement, les apparences sont souvent trompeuses. Lorsqu’elle rencontre Justin Périgord, qui se dit prêt à publier le roman de Bernard, Mélanie begin à douter de l. a. noblesse des intentions de l’éditeur improvisé.

La tournure des événements cimente los angeles méfiance de Mélanie à l’égard des hommes et des affaires de coeur. Fuyant Périgord et le Café Cherrier où elle travaillait, elle se retrouve à l’emploi de l’Haïtienne Gerbederose Café, en compagnie de l’ex-itinérant Tonio Blanchet. Avec le cégépien Louis Perez, un shopper qui tombe éperdument amoureux de l. a. belle serveuse, peut-être pourront-ils aider Mélanie à affronter les épreuves qui s’annoncent...

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Extra resources for La Serveuse du Café Cherrier

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There are quite a few people inside. The congregation, if one may call it that, is organized around a variety of social services and activities. Next to the seltzer fountain someone distributes lebkuchen, another puts out bins with secondhand clothing, a third picks up litter. At first my two women seem to take little note of this bustle, alarmed as they are by the absence of an altar. I point out a massive analogue clock on the front wall, where one 58 would normally find the pipe organ. This tempers their dismay somewhat.

As far back as I can remember I felt at ease among the dead. I made a habit of frequenting cemeteries wherever in the world I happened to be. My fondest memories are 31 of exploring the Old and the New Povozki in Warsaw, the churchyard of Peksovy Bzhyzek in Zakopane, Père-Lachaise in La Ville Lumière and the Glasgow Necropolis modeled on it, London’s Highgate, burial grounds in the Irish Midlands, and the maze-like Montjuïc cemetery, whose scabrous crests overlook a topography of the port of Barcelona.

We would rather not look past the horizon of history, nor dig through the piles (and pits) of historical debris, sorted and unsorted documents, partial and impartial memories; we would rather not move beyond these obstructions. There is today so much nostalgia (we observe) for destruction on the grandest scale.

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