Farväl, mitt kvinnofängelse by Karolina Ramqvist

By Karolina Ramqvist

Karolina Ramqvist var en av fjolårets mest uppmärksammade författare och hyllades av både läsare och kritiker för sin roman Alltings början. I novellen Farväl, mitt kvinnofängelse får läsaren möta kärlek och beroende innanför murarna på en amerikansk kvinnoanstalt.

Vi som satt här var kvinnor som alla var rädda för. Som de helst hade velat hålla instängda i en bur och bara slängt in lite kött until då och då. Och samtidigt var vi som alla andra. Brustna hjärtan, frusna själar, åldrande ansikten och kroppar. Vi var ju inga monster. Vi var mödrar, döttrar, systrar, flickvänner och until eventually och med fruar. Vi hade det gemensamt att vi försökt lösa våra challenge genom att misshandla och döda. Allihop hade vi försökt förändra våra yttre världar genom att sätta oss until doms över vem som skulle få leva och inte, males nu skulle vi få lära oss att vända oss inåt i stället.

Farväl, mitt kvinnofängelse är Novellix nr 37. Novellix ger ut noveller; nyskrivet och klassiker, en novell in line with bok. Novellerna finns i tre structure - tryckt bok, e-bok och ljudbok. Du kan även prenumerera på dem. Läs mer på novellix.se

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In the NY hotel rm (they turn up again in Angst)—what good’s writing? ’’ Forgotten underlined three times, as if forgotten by three forgettings. To which add today the forgetting that followed upon these notes, interrupted for the time being by the finding of the ................. 16582$ $CH3 10-11-07 15:26:56 PS PAGE 35 post-it. Is this the fourth forgetting? How many forgettings does it take to forget, then to forget, then to forget about the forgetting? I remember the forgotten roses very well, backs straight him sprawled on the couch in room 91 them erect upright legs bunched together in the hotel vase saying we’ve been waiting for you red long-stemmed, showy, stout, vigorous roses, in the room I don’t see them as they are but for what they meant.

It was only many years later I noticed the Detail that gives us access to ‘‘The Metamorphosis’’ (‘‘Die Verwandlung’’) though it is perfectly obvious in the entryway where it vegetates and stinks, the eternal cadaver posted as a warning to the reader. But as it doesn’t call out or moan or squeak the avid visitor sweeps indifferently past the prophetic vignette and throws himself into the front room from which he doesn’t emerge alive. If only you’d read the warning Nothing wouldn’t have happened.

I wept. I should have taken out the lens. 27 the eye-patch ................. 16582$ $CH2 10-11-07 15:26:55 PS PAGE 27 * * * This whole story turns on an eye, now one of the eyes of one character, now one of the eyes of the other. This comment is totally extraneous to the story’s events. It belongs to the Tale. To the Tale, that is, version 2000. Before this date a thin sheet of soundproof glass slipped itself between the story’s events and the Tale. So long as I wore a contact lens (that is, one lens) I couldn’t tell.

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