Digging Up Mother: A Love Story by Doug Stanhope

By Doug Stanhope

After having fun with early good fortune as co-host of The guy Show with Joe Rogan, the previous two decades of Doug Stanhope's occupation will be obvious as a subversive insider assault opposed to the "bro-code" he helped to release. Following a truly singular profession arc, Stanhope grew to become his again on Hollywood and toured relentlessly for years, appearing as much as 2 hundred exhibits a 12 months. He's a huge cult comic with a fiercely dependable viewers. His fabric is abrasive and sometimes offensive, however it additionally is dependent upon a bullshit-free, hardcore, outraged, truth-telling viewpoint within the culture of the past due invoice Hicks. Stanhope's memoir is bound to rub many the other way, yet now not with out inflicting matches of uncontrollable laughter within the process.
 

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Extra resources for Digging Up Mother: A Love Story

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Stephen, sketch artist, was running true to form. But Pottery of Tusayan presented new mysteries. When it was archived at NAA by J. Walter Fewkes, who had become active with its predecessor organization, the Bureau of American Ethnology (BAE) in the late 1890s, Fewkes had penned a handwritten note to the manuscript (see first page of Pottery of Tusayan). Among other things it said, "This copy of Stephen's original Ms. of the Catalogue of the Keam Collection contains sketches, probably by Holmes .

The Peabody Museum has a rule that no photograph may be published of items in their collection, unless it is done by the Peabody's own photographer at the researcher's expense. Due to the large number of illustrations of both pots and symbols in the work (almost four hundred), the cost of using the Peabody's photographer became prohibitive. Our drawings are strictly in black-and-white and do not reflect the subtle impact on symbol design that can be achieved by polychrome painting. See W. H. Holmes's paintings for a sense of this subtlety.

Transition and Modern Ware. Stephen in this chapter refers to some of the vessels as Modern Ware. " We had planned to include the text of this chapter in this work, as it includes twenty-one Referenced Pots of which twelve have been found. Unfortunately, the Page 14 Peabody Museum would not allow us to publish the entire text of this chapter as they had given prior publication permission to some other unnamed scholar. As a result we have only included our drawings of Transition and Modern Ware Referenced Pots and their symbols, with Stephen's specific comments on these symbols.

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